QR Code card contest

by Yome NetSan 5. March 2012

Jam in the Dam is just around the corner and I can't wait ! I'll try to write during the festival but I can't garantee. Of course, you'll have a full review afterwards.

Anyway, it's time to announce what's behind those fancy cards. It will be a way to promote the blog while I'm in Amsterdam but not only. As you noticed, there's a QR Code on one side. This code is a link to this site using Goo.gl. My initial plan was to detect those who come here from this link but, unfortunatly, it's not possible with this kind of redirection... And as I can't re-print the cards with another QR Code, I had to find another way.

 

 

So that's why there's a button on the right column that leads to a form to enter the contest.

Because, yes, there's a contest.

All you have to do is enter the end of the link encoded on the QR Code to participate. If you can upload a picture of the actual card you found in Amsterdam (or elsewhere) you have a second chance to win !

Here are the prices :

Winners will be randomly choosen among valid emails received from the contest form between now and Monday 30th April 20:00 (France time). An eMail is valid if it contains the right QR Code. An eMail counts twice if it contains a picture of the card. If several eMails are received from the same IP address, they will be deleted. This contest is open for European residents only.

 

Good luck and see you in the Dam !

[Give Away Results] Hampton/Winston-Salem '97

by Yome NetSan 16. December 2011

Here are the results of the contest started last week to win the new Phish 7 CDs boxset Hampton Winston/Salem '97.

There has been 2 comments and only 1 tweet.

 

Here are the list of the people who entered the contest and the random number choosen by random.org

 

And the winner is... Stashrock48 !

 

Here is a video of Hally's Comet with the audio coming from the boxset.

Everyone with Everyone Orchestra !

by Yome NetSan 14. December 2011

Everyone Orchestra is a unusual band.

First of all, its structure is always changing. It's actually a kind of Super Band with each member coming from other bands and none of them is permanent. There are regulars like John Fishman (ring any bell ?) or Marco Benevento and new comers like Jennifer Hartswick (Trey Anastasio Band). it's really an orchestra for everyone to come and play. The only central axis is Matt Butler, leader and creator... whow doesn't play any instrument.

Everybody Orchestra's music can be defined as conducted improvisation. Indeed, Matt Butler conduct the band with gestures, jumps and boards where he writes words, feelings, moods to lead the music. Needless to say, each concert is different as there's no specific "song".

After 10 years of shows, Matt Butler wanred to make a studio album. But how could one make a studio recording of a concert-only, full improvisation, ever changing line-up act ? Simply by re-creating the same feeling in studio for a one of a kind recording : improvisation.

So he gathered the following line-up : Jon Fishman (Phish), Jeff Coffin (Dave Matthews Band), Al Schnier (moe.), Reed Mathis (Tea Leaf Green), Steve Kimock, Marco Benevento, Jennifer Hartswick (Trey Anastasio Band), Jamie Masefield (Jazz Mandolin Project) et Jans Ingber (The Motet). Session lasted two days and a preview of the result can be viewed bellow.

Now, in order to finish producing the album, a project has been set up on kickstarter.com to collect the needed 15.000$. Anyone can participate with any amount to help the cause and your credit card will be charge only if the goal is reached on January 6th 2012.
But it's more than just giving money. Depending on how much you gave, you'll receive a download of the album before it's released, a signed CD, all of that + bonus tracks, all of that + a signed poster or picture... It goes on to concert tickets, a meeting with the band or you nammed as producer of the album !
So even if you can't afford to have Matt Butler conduct your own band in your living room, it's like you pre-order the album while helping it happens ! It's open to everyone...

Anyway, have a listen to a preview of the session and let's participate here :
http://www.kickstarter.com/projects/178370795/everyone-orchestra-first-studio-album-brooklyn-ses

 

[Give Away] Hampton Winston/Salem '97

by Yome NetSan 9. December 2011

It's here ! The new cd-boxset from PhishHampton Winston/Salem '97, is at home and playing...

But I have a copy for you to win by just leaving a comment here to tell why you're interrested in this boxset. You can also tweet the following line to double your luck :

Win the new @Phish 7CDs Boxset at #BouncingAroundEuroom http://tinyurl.com/BouncingGiveAway @YomeNetSan

Winner will be randomly choosen among comments and tweets made between now and Friday 16th December 13:00 (France time). This contest is open to european residents only.

To make up your mind, listen to AC/DC Bag -> Slave to the Traffic Light and Mike’s Song -> Harry Hood -> Weekapaug Groove.

 

Version française ici : http://tinyurl.com/ConcoursGamusik

PFF : Phish is gonna Funk your Face

by Yome NetSan 28. October 2011

You sure may already know but Phish will release a 7 CDs/3 shows boxset in december. Pre-order packages are already on Dry Goods and livephish.com.

I'm totally new to these 3 shows (Hampton Coliseum 11/21-22/1997 and Winston-Salem 11/23/1997) because at the time, I've know Phish for only 3 mounth and I thought they were disbanded for long. Later I listend to every Phish era, including 1997 but strangly enough I've never been aware of the fame of these concerts.

This morning, I listened for the first time for the Mike's Groove played at the beginning of the first Hampton show and my ears actually melted ! It's so full of groove and funk ! Mike's Song only has 4 distinctive jams, one of it based on a heavy Black-Eyed Katty tease ! The segue to Hydrogen is so smooth you don't hear it coming.

You can find this 64Mb/35min mp3 here.

In the midst of their legendary fall 1997 tour, Phish stopped in Dixie for two shows in Virginia and one in North Carolina.  The 1997 Hampton Coliseum shows were the band's first two-night stand at Hampton Coliseum – a venue they have played a total of fifteen times including a two-night stand in 1998 (released as Hampton Comes Alive) and a trio of reunion shows in 2009.  The shape and feel of the venue have earned it the nickname “The Mothership” among fans.  The next show after Hampton 1997 took place at Lawrence Joel Veteran's Memorial Coliseum in Winston-Salem, North Carolina - another familiar venue where Phish also performed in 1994, 1995 and 1998.

These three shows were a memorable triad for the band and fans.  They are among the most requested shows for soundboard release from the Phish Archives and make up a compelling slice of the twenty-two-show tour that stretched from Las Vegas to Albany.  The Hampton/Winston-Salem 97 shows were packed with notable renditions of classics including “Split Open And Melt”, “AC/DC Bag”, “Slave To The Traffic Light”, “Mike’s Song”, “Halley's Comet”, “Tweezer”, “Run Like An Antelope”, “Stash” and “Bathtub Gin”.  The band also showcased a wide variety of newer covers from the debut of the Rolling Stones' “Emotional Rescue” to Del McCoury's “Beauty Of My Dreams”, Jimi Hendrix's “Izabella”, Clifton Chenier's “My Soul” and even an impromptu take on War's “Low Rider” (sandwiched inside a blazing “Down With Disease”).  The Hampton/Winston-Salem 97 shows also showcased newer originals like “Dogs Stole Things”, “Ghost”, “Piper” and the brand-new-for-fall instrumental “Black-Eyed Katy”, which is the only song repeated on the release.  More than what was played, the sheer heights of these performances are what made them special and built their acclaim.

The Hampton/Winston-Salem 97 shows featured Phish at an emotional peak of execution and flow.  The band was hooking up at every turn, taking chances and dropping musical surprises for each other and the audience.  Throughout these shows, Phish seized most every opportunity to lift and expand their repertoire while maintaining a raging dance party at every turn.  The audience magnified this explosive energy, spinning the shows into a ball of psychedelic, funk-infused live Phish for the ages.  Paul Languedoc’s stereo “soundboard” mix re-mastered by Fred Kevorkian funnels the energy of these special shows to listeners' ears nearly fifteen years later.  Hampton/Winston-Salem 97 contains all the music played over these three shows for a total of 45 songs - over 8 hours of music - including never-before-heard material from soundchecks at both venues.  The 7-CD boxed set (also available as downloads at livephish.com) slated for release December 6, 2011 is a must-own collection for any Phish fan.

11/21/97 Hampton Coliseum - Hampton, VA
Disc One
Set I:

1. Emotional Rescue > (17:44)
2. Split Open And Melt (13:44)
3. Beauty Of My Dreams (3:27)
4. Dogs Stole Things (4:48)
5. Punch You In The Eye > (9:13)
6. Lawn Boy > (3:45)
7. Chalk Dust Torture (9:16)
8. Prince Caspian (10:33)

Disc Two
Set II:

1. Ghost > (15:48)
2. AC/DC Bag > (25:49)
3. Slave To The Traffic Light (12:32)
4. Loving Cup (7:39)
Encore:
5. Guyute (11:19)

11/22/97 Hampton Coliseum - Hampton, VA
Disc Three
Set I:

1. Mike's Song > (17:04)
2. I Am Hydrogen > (4:31)
3. Weekapaug Groove (14:52)
4. Harry Hood > (18:05)
5. Train Song (3:06)
6. Billy Breathes (7:05)
7. Frankenstein > (4:48)
8. Izabella (5:58)

Disc Four
set II:

1. Halley's Comet > (25:59)
2. Tweezer > (5:58)
3. Black-Eyed Katy > (12:41)
4. Piper > (7:53)
5. Run Like An Antelope (13:38)
Encore:
6. Bouncing Around The Room > (3:52)
7. Tweezer Reprise (4:06)

11/23/97 Lawrence Joel Veteran's Memorial Coliseum - Winston-Salem, NC
Disc Five 
set I:

1. My Soul (7:23)
2. Theme From The Bottom > (10:23)
3. Black-Eyed Katy (10:55)
4. Sparkle (4:02)
5. Twist > (10:21)
6. Stash > (17:03)
7. NICU (5:48)

Disc Six
set I, cont'd

1. Fluffhead > (15:39)
2. Character Zero (7:34)
set II:
3. Bathtub Gin > (31:57)
4. Down With Disease > (12:01)
5. Low Rider > (7:29)
6. Down With Disease (3:39)

Disc Seven
set II, cont'd

1. Bold As Love (7:57)
Encore:
2. Julius (11:12)

filler: from 11/21/97 Hampton Soundcheck:
3. Hampton '97 Soundcheck Jam (17:53)
filler: from 11/23/97 Winston-Salem Soundcheck:
4. Back At The Chicken Shack (11:21)

 

Another Idea

by Yome NetSan 18. November 2010

Today, I received another Promo CD and this one comes with a special version of the song from Moss :
Mike Gordon's Idea (Another Idea Version)

So as this version isn't really widely spread (except from Relix) and is a perfect add-on to Moss The Remixes, I thought I'd share.

By the way, there's a complete recording of the Mossery on bt.etree.org.

 

FLAC + MP3 + JPG direct download from MediaFire

Fall tour and freebies

by Yome NetSan 8. October 2010

Tonight, Phish will start their second fall tour since their come back last year in Austin City Limits Festival. A webcast is provided by LiveMusicBlog here and a new song, Burn that Bridge, from the soundcheck has already leaked and is listenable here. Did I tell you that I love Internet ?

As for the tour, I'm glade to get my daily dose of Phish again starting tomorrow. I don't know about you, but it feels like summer tour was just yesterday !

 

Speaking about summer tour, Live Bait Volume 2 has just been released. It's a second batch of free tracks from the second legg of summer 2010 that can be download from livephish.com. I can tell you that the Wilson > Light > 20 Years Later section is worth the download alone. The segue from Down With Disease to What's The Use ? (one of my favorite guitar riff of all time) is also pure bliss.

A great way to wait for tonight show for my Dry Goods Pre-order (Moss + Coral Sky + other goods)

Enjoy !

PhishLive Bait 02


DOWNLOAD THE SAMPLER

 

Live Bait for free at livephish.com

by Yome NetSan 23. August 2010
Phish Live Bait 01


DOWNLOAD THE SAMPLER

Livephish.com offer a mix tape from the forst leg of this summer tour.

You can listen and download it here.

 

Just what I feared...

by Yome NetSan 31. May 2010

We're just about 10 days before the first show of the Summer tour and Phish has announced what I feard the most after a break-up : every show of this sumemr tour will be available on CD from livephish.com !

I've always been reluctant to buy every show of a tour as a downloadable format but I'm a collector for everything's physical. I feared that kind of announcement because it means a lot of money to get the full set ($600.30 if you buy all 29 shows at once) or a strugle with myslef to accept that I miss a part of my Phish collection.
Last time I waited to buy a full set of shows, I ended not having them all because they became unavailable.
I compared the different possibilities to buy them separatly and I think I'll go with the multi-shows way. It finally cost 15€ more but I don't have to send $600 in one transaction and I can space out purchases.

Anyway, I can't wait to wake up in the morning and grab my dayly dose of Phish to listen during the day at the office. Last summer was great because of that. I even convinced myself not to listen to any Phish for several week to start this summer with a fresh mind.

The Virtual Band

by Yome NetSan 23. March 2010

I heard this expression when livephish.com released the Headphone Jam during de 2004/2009 break. The idea was that Phish would become a virtual band, not performing live but gathering on some occasion to record hour long free form jam. They would still be "broken up" but still playing in a way. I thought it was a good alternative at a time when reunion wasn't even hoped.

But from my point of view, Phish has always been a virtual band. I discovered them in 1997 with a studio album dating back from 1988. As i've never heard about them, I thought they were disbanded for long. Then I became aware that they were still playing lot of shows and starts following them on the Internet.

My computer has always been, and still is, my only link with the band. Browsing several websites and blogs about the band and fans, downloading audience or soundboard recordings of almost every show, watching, at first very poor and then very good quality, videos is a everyday occupation.
I remember watching songs' name appearing in setlists. At one time, some where only names as I haven't listened to them yet. I discovered Mike's Song, for example, with Slip Stitch and Pass.

Internet is also the almost exclusive way to buy Phish related material, although I managed in 1999 and 2000 to buy somes albums at my local store in France. This was possible, I think, because the band toured sporadicly in Europe and Japan from 97 to 2000, so their releases were better distributed outside the US. So I bought a lot of Phish albums, live releases, boxsets, dvds, books, goodies, promo cds. All of that gave me a rather complete view of the band, their music and their career, but in a virtual way. There hasn't been any physical connexion because everything went thought the computer.

Oh wait, There's one ! I managed to buy the Green Sparow, Mike Gordon's last studio album, with a signed booklet. The signed booklet was added to the package along with a regular sealed CD. I understand that it's a lot easier for every one (including Mike) to have a pill of single booklets signed without having to open a cd, pull out the booklet, sign it, pull back it inside and then send it.

Phish is the only active band that have a big impact on me that I've never seen live in concert. In fact, Phish is the artist entity that had the most impact on me for my whole life. Bigger than Michael Jackson back in the 90's, who is the artist that woke up my musical tastes (and I got to see him live in Lausanne, Switzerland in 1997).
The only other band for which I would travel the globe to see live is Pink Floyd. Another dream that I will never live for obvious reasons.

I felt very broken in 2004 when I knew about the break up, again by checking my emails. I cried when I read the news and I cried again on august 16th morning when I woke up and read the setlist and reports on the Internet.
I feel almost as broken up since I took the decision last week not to go to the USA this summer. I always fear that a break up (or worst) can happen any time and that I will never see them, althought the musical and health situation for the band is very different now than in 2004. I'd never listened to the Las Vegas 2004 run since this week, and I'm glade to enjoy the music I heared in 2009.
By the way, 2009 is the only year during which I listened to every single show played by Phish, at worst 2 days after it was played. In 2004, I listened to all of the summer tour but out of order and in the following month, without regularity. I started in January to listen to every 2002/2003 shows and even if it's not 1994 or 1998, I'm enjoying it very much.

By the way, what if all that music was fake ?

I thought about it from the very beginning when I didn't really know the songs and where to find shows. I happened to download concerts from other band (Cousin Fungus, String Cheese IncidentDave Matthews Band, Greateful Dead, or other jam bands) without noticing at first it wasn't Phish. I even end up burning CDs and labelling CDs as Phish by mistake. At the end of the day, I was still enjoying all this new music, whatever the band was playing.
The idea came then that, even if Phish wasn't really playing this music, I wouldn't care as long as I'm enjoying what I listen to. I mean Phish's music could be computer generated, the band could fake playing on stage (like lips-synch with instruments), all of their improvised moment could be writen in advance. Sure I'd be pissed to have been fooled but, man the music is fucking good ! That's why I enjoy live DJ sets like Daft Punk's Alive 2007. Everything is written and planed but the music is fun.

That's what's important after all : music.
Phish can still be a virtual band playing (or faking) in a far away country, I don't care as long as I can listen every day of my life to new music from them.




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