Español Pinturas de Fuego - Exploring the Phish spanish theme

by Yome NetSan 16. May 2014

It's no news, the new Phish studio album has been announced back in october 2013 during the Halloween show (more from me about that soon). Tentatively titled Wingsuit, the Phishbill (downloadable here) explained the concept of an album "from the future". The band went in studio with Bob Ezrin in november and the final product, now called Fuego, has been announced last wendesday for a release date on the 24th june.

We can't really talk about the music right now except for what we heard on Haloween and the first song revealed, Waiting all night. In this new song, you can really hear the work done on the sound of the band and the voice harmonies. We also know which songs played in Atlantic City didn't make it to the record. A song like Snow is really difficult to play and sing on stage but can be a lovely tune if worked well in a studio. That's why I personnaly think they would have fit right. I hope for a future b-sides release like Party Time.
Anyway, I'm glade to read that the album will feature guest vocalists and horns. I'm all for a studio album that doesn't sound like the concert. I didn't really enjoyed Joy at the time because the songs were played just like on stage but missed the jams. It seems we won't have such things this time around.

But what stroke me is, of course, the cover art. At first glance, it looks like a photoshoped picture but after a closer look, it's a photo-realistic psychedelic painting of six giant men, standing around an enormous fire explosion in a country landscape. Before you see the tiny houses at the men's feet, you can't have a true sense of the scale of the image.

/image.axd?picture=/2014/5/Fuego/mini/Fuego Vinyl edition.jpg
Fuego Vinyl edition
/image.axd?picture=/2014/5/Fuego/mini/Paco Pomet 'The test' (Oil on canvas. 80x120cm. 2013).jpg
Paco Pomet 'The test' (Oil on canvas. 80x120cm. 2013)

The original painting is called The Test from the spanish artist Paco Pomet. His web site showcases his surrealistic work in high-resolutions scans. I really like his style, combining vintage-looking black and white imagery with funky colored strange event. As of today, we know he provided two more paitings for the record package and release merchandising (the vinyl record slipmat and the limited litograph). While browsing his gallery, I noticed several other paintings that could fit the theme like Blues and Deserción (2014) or Sin título and La tempestad (2012).

/image.axd?picture=/2014/5/Fuego/mini/Fuego Record Player Slipmat.jpg
Fuego Record Player Slipmat
/image.axd?picture=/2014/5/Fuego/mini/Paco Pomet 'Sunday' (Oil on canvas. 120x160cm. 2012).jpg
Paco Pomet 'Sunday' (Oil on canvas. 120x160cm. 2012)

Which ones do you think they'll use ? I'll try to give away a Fuego CD to one of you (randomly picked) who'd make a good guess.
This contest is for European fans only and suggestions must be made in the comments here before the 10th june (or before if the album package is released or leaked prior to this date).

/image.axd?picture=/2014/5/Fuego/mini/A lithograph taken from the album package.jpg
A lithograph taken from the album package
/image.axd?picture=/2014/5/Fuego/mini/Paco Pomet 'Eden' (Oil on canvas. 130x170cm. 2013).jpg
Paco Pomet 'Eden' (Oil on canvas. 130x170cm. 2013)

By the way, do you think we have a pattern or a theme here ? Fuego means fire in spanish and we have a spanish painter who likes to put fire explosions on old-looking pictures.

Too bad there won't be a release party in Barcelona this summer...

 

 

Digital hunt for analog treasures

by Yome NetSan 1. June 2013

With the Blossom 95 download, the Ventura boxset, Mike Gordon's The Egg and three releases for the Record Store Day, Phish knows how to keep us busy before summer tour !

After going under the rain on the 20th April to my local record store to buy the Pink Floyd's See Emily Play and other french 7", the second part of the treasure hunt began on the Internet. But this year, several surprises made the search more interesting and easier.

 

The first vinyl to reach my turn table was the vinyl edition of By My Side, a collection of ballads from Ben Harper. I found it in a french web store (Fargo) thanks to a tweet from Planète Vinyle, a french website about wax discs. But it turns out that I was in Morocco by that time and I couldn't order it right away. I had to wait my return to France a week and a half later, hoping that the disc would still be available. Luckly I made the order almost as I stepped of the plane and got my package the week later for a nice price (25€ including 3€ for shipping).

 

For the next two discs, I had to rely on good old eBay...

 

 

Trey Anastasio's Blue Ash And Other Suburbs is a nice looking 7" Picture Disc which also contains brand new music ! So new I couldn't tell by listening t the first instrumental track if I should spin it at 45 or 33RPM !

It seems like it's been limited to 1200 copies so it's no surprise it was not easy to find it a good price.

I finally got it for 38€ (half of this was shipping fees) instead of the original 15$. I know it's almost third time the price but I don't have a lot or choices, especially for shipping.

 

 

 

Continue reading...

Happy New Year ! [UPDATED 2]

by Yome NetSan 31. December 2012

I don't know yet if I'll be able to watch the webcast tonight but I'm already getting prepared... and ridiculous too !

[UPDATE] I'm set. I'll be there at 2 AM in France and posting on the European Phish Phan Page on facebook ! See ya in the webcast !

[UPDATE 2] READY !

This disc is turned and framed, it's seen much better days

by Yome NetSan 29. October 2012

I think I have a rather big Phish collection but I don't often show the items I buy. So here are some of the last Phish related vinyls and discs I recently received.

The last Marco Benevento record is as good as the previous ones is not better. Moreover Mike Gordon plays bass and mandolin on Escape Horse, a tune already released last year as a limited 7" disc.

Like most of us, I discovered Jennifer Hartswick with TAB, but the girl really need more recognition for his solo work. All of her 3 albums are absolutely great, very jazzy and funky, and her contribution to Everyone Orchestra's first studio album makes it feel like one of her own.

Continue reading...

Have you noticed ?

by Yome NetSan 29. August 2012
  • After Trey Anastasio's Bar 17 and Phish's Party Time, the next Trey studio album Traveler (announced for the 16th october 2012) will be the third studio album to feature the song Let Me Lie. Each version is different and you can listen to the last one here : http://diffuser.fm/trey-anastasio-let-me-lie/

 

  • The cover art for Trey's 7" vinyl Scabbard and next LP Traveler can be repeated indefinetly like a wallpaper ! The right border continues on the left side and it's the same for top and bottom. I can't wait to see the bonus 7" !

 

  • It's the first time that a cover (Clint Eastwood) appears on a Phish or a solo studio album, if you don't count Nothing and Heavy Things that was played by Tom Marshall's Amfibian and Let Me Lie (I wouldn't call them "covers"). Mike Gordon's collaborations with Leo Kottke and Steamroller Wheelies did feature covers but they're not technically "solo records".

 

  • The album's title track isn't featured in the vinyl version of Traveler while it's in the CD. The full length music shouldn't fit on one disc and that's why there's a bonus 7" disc with this song and Greyhound Rising.

Traveler, Trey's newest studio album, was co-produced with Peter Katis (The National, Interpol, Jónsi) at Tarquin Studios in Bridgeport, CT. Musicians include Trey Anastasio Band, Mates of State's Kori Gardner, The National's Bryan Devendorf and Matt Berninger, and Icelandic percussionist Samuli Kosminen.
Pressed on gold colored 180 gram vinyl, the album comes with a Traveler bonus 7" as well as a download card for an MP3 version of the album.
All pre-orders containing the new album will receive one Limited Edition Traveler Lithograph. The print measures 8"x5" and is signed by Trey. All orders will be shipped to protect the LE print.


Track List:

Side A:
Corona
Let Me Lie
Frost
Land of Nod
Pigtail

Side B:
Scabbard
Clint Eastwood
Architect
Valentine

Bonus 7"

Side A:
Traveler

Side B:
Greyhound Rising

Source : http://treyanastasio.shop.musictoday.com/Dept.aspx?cp=943_57958

Everyone Orchestra's Brooklyn Sessions

by Yome NetSan 15. May 2012

I've Already told you about Brooklyn Sessions, the first studio album from Everyone Orchestra. But I received last week my signed CD and today is the official release date.

Now, for the first time, Everyone Orchestra has taken the conducted improvisation concept mastered in their legendary live shows into the studio on Brooklyn Sessions. Conductor Matt Butler invited past collaborators—musical friends like drummer Jon Fishman (Phish), keyboardist/pianist Marco Benevento, Al Schnier (moe.), Jen Hartswick (Trey Anastasio Band), guitarist Steve Kimock, saxophonist Jeff Coffin (Dave Matthews Band), vocalist/percussionist Jans Ingber (The Motet), mandolinist Jamie Masefield (Jazz Mandolin Project) and bassist Reed Mathis (Tea Leaf Green), to join him for several days of exploration and co-creation. The results range from hard-hitting grooves that take unexpected twists and turns (“Boots”), to sweet and expansive (“Pensive”), all with a spirit that is both liberated and focused.

 

 

 

For me it's, by far, the best album of 2012 and one of my favorite of all times. Yes already.

You can now listen to it on bandcamp and buy it in several places.

 

Enjoy !

 

 

Listen to Everyone Orchestra first studio album (not yet)

by Yome NetSan 28. March 2012

I'm taking a temporary break from Amsterdam to New York as I'm rather slow in writing and selecting pictures...

Brooklyn Sessions, the first studio album from Everyone Orchestra has been partialy fan-funded on KickStarter last december.

The ones who helped the project to be released have received their download links for the album and the bonus tracks yesterday. Matt Bulter, the band's leader, invited us to "share this album to listeners".

I hope you'll enjoy this great music as much as I do and that it will leads you to actually buy the CD when it comes out in may !

everyoneorchestra.com

 

[EDIT] Matt Bulter asked me not to share the album to listeners while it can't be actually bought online. The album will be release later in may on services like iTunes or Bandcamp.

Phishy end of year

by Yome NetSan 31. December 2011

Earlier this week, I finally found a good deal on Groupon to book an hotel in Amsterdam for mid-march. Now I know where my family and I will sleep during Jam In The Dam !

I'll choose the flight next week between the one taking of from Lyon or from Geneva...

And then, the schedule will goes like this :

  • 14 March
    • Lotus
    • Mike Gordon
    • moe.
  • 15 March
    • Keller Williams (of if I don't like the first 30 minutes, Lotus)
    • Dark Star Orchestra (first 2 hours only)
    • Mike Gordon
  • 16 March
    • Mike Gordon
    • Dark Star Orchestra
    • (end of) moe.

 

 

 

Later tonight, I'll be watching my first Phish concert live at it happens. Yes, I'll be in my living room, chatting with Holger, during the webcast of the New Year's Eve show at Madison Square Garden, New York.

Holger has been live-facebooking during the first 3 nights. You can seen what happened and follow us tonight on EU Phans, Phish Phans in Europe page on facebook.

 

See you tonight ?

 

 

 

 

 

 

 

Last but not least, Phish has just released today an archival show from 20 years ago exactly !

31th December 1991, Worcester Memorial Auditorium, Worcester, MA.

Here is the official announcement followed by a last minute chrstmas gift.

Phish had a busy year in 1991, signing a record deal with Elektra Records and touring coast-to-coast for a total of more than 130 shows including a fourteen-show tour with a three-piece horn section and the first unofficial Phish festival at Amy’s Farm. That summer Phish also recorded their third studio album, "A Picture Of Nectar". White Crow Studios in Burlington, Vermont provided the backdrop for Nectar’s namesake with engineering duties covered by Kevin Halpin and Jon Altschiller. While Jon was still getting his start as an engineer, he was also a fan and was among the dozen-or-so tapers at The New Aud for the band's New Year's Eve concert. Thanks to his work on Nectar, Jon was allowed to set up his microphones inside the front-of-house position. He also managed to snag a then-rare soundboard patch from FOH engineer Paul Languedoc.

Fast forward to 2010 when Jon returned to work with Phish on the road as LivePhish.com remote engineer and the seeds were sown for the release of this classic show. Twenty years later, Jon combined his audience and soundboard DAT recordings to create the matrix for The New Aud release. Mastered by Fred Kevorkian, this unique source is a proper document of the show, combining the qualities of both sources and harnessing the electricity that characterized this special performance.

For your listening and sharing pleasure...please feel free to download and share (by stream, download or broadcast) the following track from this archival show:

Tweezer>McGrupp and the Watchful Hosemasters
https://rcpt.yousendit.com/1327822594/d06bfb7f7fd5866ba5c024d40fd5c35c

Setlist:
12/31/91 Worcester Memorial Auditorium (The New Aud), Worcester, MA

Set I
1. Possum (8:25)
2. Foam (8:11)
3. Sparkle (4:33)
4. Stash (9:00)
5. The Lizards (10:03)
6. Guelah Papyrus (5:46)
7. Divided Sky (12:42)
8. Esther > (9:49)
9. Llama (4:47)
10. Golgi Apparatus (4:56)

Set II
1. Brother (6:12)
2. Bouncing Around The Room (3:43)
3. Buried Alive > (2:28)
4. Auld Lang Syne > (0:52)
5. Runaway Jim (7:37)
6. The Landlady > (3:27)
7. Reba (11:30)
8. Cavern (4:53)
9. My Sweet One > (2:28)
10. Run Like An Antelope (10:35)

Set III
1. Wilson > (6:50)
2. The Squirming Coil > (7:33)
3. Tweezer > (13:13)
4. McGrupp And The Watchful Hosemasters > (8:10)
5. Mike’s Song > (7:42)
6. I Am Hydrogen > (3:04)
7. Weekapaug Groove (7:09)

Encore:
8. Minkin Appreciation (1:26)
9. Lawn Boy > (2:30)
10. Rocky Top > (2:36)
11. Tweezer Reprise (3:16)

 

What about the gift ? I have two livephish.com codes to download a free show of your choice. You can use it to download tonight NYE show, of the one from 20 years ago, or any show you want ! Just leave a message here with your new year's resolution and the two first will win.

 

Happy New Year !


Everyone with Everyone Orchestra !

by Yome NetSan 14. December 2011

Everyone Orchestra is a unusual band.

First of all, its structure is always changing. It's actually a kind of Super Band with each member coming from other bands and none of them is permanent. There are regulars like John Fishman (ring any bell ?) or Marco Benevento and new comers like Jennifer Hartswick (Trey Anastasio Band). it's really an orchestra for everyone to come and play. The only central axis is Matt Butler, leader and creator... whow doesn't play any instrument.

Everybody Orchestra's music can be defined as conducted improvisation. Indeed, Matt Butler conduct the band with gestures, jumps and boards where he writes words, feelings, moods to lead the music. Needless to say, each concert is different as there's no specific "song".

After 10 years of shows, Matt Butler wanred to make a studio album. But how could one make a studio recording of a concert-only, full improvisation, ever changing line-up act ? Simply by re-creating the same feeling in studio for a one of a kind recording : improvisation.

So he gathered the following line-up : Jon Fishman (Phish), Jeff Coffin (Dave Matthews Band), Al Schnier (moe.), Reed Mathis (Tea Leaf Green), Steve Kimock, Marco Benevento, Jennifer Hartswick (Trey Anastasio Band), Jamie Masefield (Jazz Mandolin Project) et Jans Ingber (The Motet). Session lasted two days and a preview of the result can be viewed bellow.

Now, in order to finish producing the album, a project has been set up on kickstarter.com to collect the needed 15.000$. Anyone can participate with any amount to help the cause and your credit card will be charge only if the goal is reached on January 6th 2012.
But it's more than just giving money. Depending on how much you gave, you'll receive a download of the album before it's released, a signed CD, all of that + bonus tracks, all of that + a signed poster or picture... It goes on to concert tickets, a meeting with the band or you nammed as producer of the album !
So even if you can't afford to have Matt Butler conduct your own band in your living room, it's like you pre-order the album while helping it happens ! It's open to everyone...

Anyway, have a listen to a preview of the session and let's participate here :
http://www.kickstarter.com/projects/178370795/everyone-orchestra-first-studio-album-brooklyn-ses

 

PFF : Phish is gonna Funk your Face

by Yome NetSan 28. October 2011

You sure may already know but Phish will release a 7 CDs/3 shows boxset in december. Pre-order packages are already on Dry Goods and livephish.com.

I'm totally new to these 3 shows (Hampton Coliseum 11/21-22/1997 and Winston-Salem 11/23/1997) because at the time, I've know Phish for only 3 mounth and I thought they were disbanded for long. Later I listend to every Phish era, including 1997 but strangly enough I've never been aware of the fame of these concerts.

This morning, I listened for the first time for the Mike's Groove played at the beginning of the first Hampton show and my ears actually melted ! It's so full of groove and funk ! Mike's Song only has 4 distinctive jams, one of it based on a heavy Black-Eyed Katty tease ! The segue to Hydrogen is so smooth you don't hear it coming.

You can find this 64Mb/35min mp3 here.

In the midst of their legendary fall 1997 tour, Phish stopped in Dixie for two shows in Virginia and one in North Carolina.  The 1997 Hampton Coliseum shows were the band's first two-night stand at Hampton Coliseum – a venue they have played a total of fifteen times including a two-night stand in 1998 (released as Hampton Comes Alive) and a trio of reunion shows in 2009.  The shape and feel of the venue have earned it the nickname “The Mothership” among fans.  The next show after Hampton 1997 took place at Lawrence Joel Veteran's Memorial Coliseum in Winston-Salem, North Carolina - another familiar venue where Phish also performed in 1994, 1995 and 1998.

These three shows were a memorable triad for the band and fans.  They are among the most requested shows for soundboard release from the Phish Archives and make up a compelling slice of the twenty-two-show tour that stretched from Las Vegas to Albany.  The Hampton/Winston-Salem 97 shows were packed with notable renditions of classics including “Split Open And Melt”, “AC/DC Bag”, “Slave To The Traffic Light”, “Mike’s Song”, “Halley's Comet”, “Tweezer”, “Run Like An Antelope”, “Stash” and “Bathtub Gin”.  The band also showcased a wide variety of newer covers from the debut of the Rolling Stones' “Emotional Rescue” to Del McCoury's “Beauty Of My Dreams”, Jimi Hendrix's “Izabella”, Clifton Chenier's “My Soul” and even an impromptu take on War's “Low Rider” (sandwiched inside a blazing “Down With Disease”).  The Hampton/Winston-Salem 97 shows also showcased newer originals like “Dogs Stole Things”, “Ghost”, “Piper” and the brand-new-for-fall instrumental “Black-Eyed Katy”, which is the only song repeated on the release.  More than what was played, the sheer heights of these performances are what made them special and built their acclaim.

The Hampton/Winston-Salem 97 shows featured Phish at an emotional peak of execution and flow.  The band was hooking up at every turn, taking chances and dropping musical surprises for each other and the audience.  Throughout these shows, Phish seized most every opportunity to lift and expand their repertoire while maintaining a raging dance party at every turn.  The audience magnified this explosive energy, spinning the shows into a ball of psychedelic, funk-infused live Phish for the ages.  Paul Languedoc’s stereo “soundboard” mix re-mastered by Fred Kevorkian funnels the energy of these special shows to listeners' ears nearly fifteen years later.  Hampton/Winston-Salem 97 contains all the music played over these three shows for a total of 45 songs - over 8 hours of music - including never-before-heard material from soundchecks at both venues.  The 7-CD boxed set (also available as downloads at livephish.com) slated for release December 6, 2011 is a must-own collection for any Phish fan.

11/21/97 Hampton Coliseum - Hampton, VA
Disc One
Set I:

1. Emotional Rescue > (17:44)
2. Split Open And Melt (13:44)
3. Beauty Of My Dreams (3:27)
4. Dogs Stole Things (4:48)
5. Punch You In The Eye > (9:13)
6. Lawn Boy > (3:45)
7. Chalk Dust Torture (9:16)
8. Prince Caspian (10:33)

Disc Two
Set II:

1. Ghost > (15:48)
2. AC/DC Bag > (25:49)
3. Slave To The Traffic Light (12:32)
4. Loving Cup (7:39)
Encore:
5. Guyute (11:19)

11/22/97 Hampton Coliseum - Hampton, VA
Disc Three
Set I:

1. Mike's Song > (17:04)
2. I Am Hydrogen > (4:31)
3. Weekapaug Groove (14:52)
4. Harry Hood > (18:05)
5. Train Song (3:06)
6. Billy Breathes (7:05)
7. Frankenstein > (4:48)
8. Izabella (5:58)

Disc Four
set II:

1. Halley's Comet > (25:59)
2. Tweezer > (5:58)
3. Black-Eyed Katy > (12:41)
4. Piper > (7:53)
5. Run Like An Antelope (13:38)
Encore:
6. Bouncing Around The Room > (3:52)
7. Tweezer Reprise (4:06)

11/23/97 Lawrence Joel Veteran's Memorial Coliseum - Winston-Salem, NC
Disc Five 
set I:

1. My Soul (7:23)
2. Theme From The Bottom > (10:23)
3. Black-Eyed Katy (10:55)
4. Sparkle (4:02)
5. Twist > (10:21)
6. Stash > (17:03)
7. NICU (5:48)

Disc Six
set I, cont'd

1. Fluffhead > (15:39)
2. Character Zero (7:34)
set II:
3. Bathtub Gin > (31:57)
4. Down With Disease > (12:01)
5. Low Rider > (7:29)
6. Down With Disease (3:39)

Disc Seven
set II, cont'd

1. Bold As Love (7:57)
Encore:
2. Julius (11:12)

filler: from 11/21/97 Hampton Soundcheck:
3. Hampton '97 Soundcheck Jam (17:53)
filler: from 11/23/97 Winston-Salem Soundcheck:
4. Back At The Chicken Shack (11:21)

 




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